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Marianne Igel / From the catalogue

Art for offices and practices

Original paintings can give a reception, meeting room or workplace a personal character. This selection of Marianne Igel’s abstract works has documented dimensions and offers a starting point for offices and practices.

See the works ↓
A large abstract painting in black and white: a pale cream mass fills almost the whole canvas, framed by black at its edges, with dark threads of paint running down from the lower half and rust-orange accents at the borders
Black and white · 100 × 110 cm, 2011

Originals with known dimensions

The selection ranges from a small 40 × 40 cm square to works with a side over one metre long. The paintings were not created specifically for offices or practices.

  • A large abstract painting in black and white: a pale cream mass fills almost the whole canvas, framed by black at its edges, with dark threads of paint running down from the lower half and rust-orange accents at the borders

    Black and white

    100 × 110 cm, 2011

    A pale field with a dark edge, documented at 100 × 110 cm.

  • Abstract painting in black, grey and brown: a dark sweep runs across the upper picture like a hillside, pale grey-white beneath it, deep brown at the lower right, and white spatters scattered over the dark areas

    Instinct for the Trail

    110 × 90 cm, 2012

    A dark sweep and light splashes in a 110 × 90 cm format.

  • Abstract painting in warm tones: golden yellow and amber fields above, deep red and rust-brown masses at either side, and a pale cream band falling vertically through the centre

    Marrakesh

    Mixed media, 120 × 95 cm, 2014

    Warm pigment fields and a light band, documented at 120 × 95 cm.

  • Tall narrow abstract painting in a black frame: a broad white sweep runs diagonally across the surface, with deep blue and black forms on a beige ground

    Off the Rails

    60 × 100 cm, 2014

    A narrow portrait format with a white sweep, 60 × 100 cm.

  • Square abstract painting in blue-grey and white: dark charcoal lines describe low, hill-like forms, with brown at the top left and golden-brown flecks at the lower right

    Harmony

    40 × 40 cm, 2014

    The small square measures 40 × 40 cm and shows flowing blue-grey forms.

  • A wide, shallow abstract picture: a white brushstroke at the left, an orange block beside it, a large black-brown field at the centre, and handwritten lines along the right edge

    Earthbound I

    100 × 50 cm, 2012

    A wide landscape format in brown, white and orange, 100 × 50 cm.

Space, viewing distance and light

Measure the available wall and consider doors, furniture and the paths people take through the room. A painting in reception is viewed from different distances than one in a small meeting room.

Direct sunlight and changing light affect the appearance of colour. Questions about placement and an original’s condition can be discussed before making a decision.

Inquire about an original from the region

The studio is in Bad Feilnbach-Au near Rosenheim. Choose a work in the catalogue and contact Marianne to arrange a viewing.

Price, availability, framing and handover can be discussed directly with Marianne for each work.

Explore further

Large abstract originals ↗Small originals ↗Ask about a viewing ↗

Bad Feilnbach-Au

Contact the studio

Ask Marianne about a specific work, its price and availability, or arrange a visit to the studio near Rosenheim.

Contact the studio ↗All paintings ↗