Marianne Igel / From the catalogue
Abstract paintings in earth tones
Ochre, rust-brown, cream and dark brown meet in many of Marianne Igel’s paintings. This selection shows how earth tones can work with light fields and individual accents of colour.
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Ochre, brown and light fields
These works are a colour selection from different years, not a named series. Some combine quiet beige and brown with vivid orange or dark contrasts.

Contemplation
110 × 100 cm, 2012
A light form stands beside rust-brown, dark brown and ochre.

Adventure Earth
80 × 70 cm, 2013
Golden ochre and olive lie between white, dark brown and rust red.

Earthbound I
100 × 50 cm, 2012
A black-brown field, an orange block and a white sweep fill the wide format.

Origin Earth II
92 × 65 cm, 2014
Cream white, ochre and rust orange stand beside an almost black mass.

The Small Format II
30 × 30 cm, 2015
The small square has white texture with rust-brown and greenish bands.

Adventure Earth
80 × 70 cm, 2014
Dark brown and a bright orange band stand beside a light ground.
Earth tones and contrasts
In ‘Besinnung’, white and rust-brown sit beside one another. ‘Erdverbunden I’ places a white sweep beside dark brown and orange; ‘Abenteuer Erde’ joins golden ochre and olive with light bands.
Colours can only be compared approximately across screens. Catalogue pages provide larger views and documented dimensions and dates where known.
Seeing originals at the studio
Texture also affects colour: a matte, rough area looks different from a smooth band of paint. A studio visit lets you look closely at the surface.
Marianne’s studio is in Bad Feilnbach-Au. Contact her to arrange a visit or ask about a painting’s price and availability.
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Bad Feilnbach-Au
Contact the studio
Ask Marianne about a specific work, its price and availability, or arrange a visit to the studio near Rosenheim.