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Marianne Igel / From the catalogue

Abstract paintings for the living room

An original work changes a room through colour, format and surface. This selection from Marianne’s catalogue offers different abstract paintings to consider for a living room.

See the works ↓
Abstract painting in off-white and grey with rust red, yellow and blue accents
Untitled II

A selection for living spaces

From light fields to strong accents, these works vary in size and were not made for a particular room. Known dimensions appear with each work.

  • Abstract painting in off-white and grey with rust red, yellow and blue accents

    Untitled II

    Broken white and grey are interrupted by small red, yellow and blue marks.

  • Square abstract painting in blue-grey and white: dark charcoal lines describe low, hill-like forms, with brown at the top left and golden-brown flecks at the lower right

    Harmony

    40 × 40 cm, 2014

    A 40 × 40 cm square work with flowing forms in blue-grey and white.

  • Abstract painting in blues: deep blue and turquoise above, paler blue and lilac beneath, a cream-white field at the lower left, and fine lines scratched into the paint

    Untitled XIX

    2021

    Blue and turquoise pass into lighter tones; a cream-white field provides a counterpoint.

  • Abstract painting in teal and slate grey: a broad white brushstroke at the left among cream fields, with red script-like scribbles at the lower right

    All in Plumb

    90 × 100 cm, 2014

    Petrol blue and slate grey meet a broad white sweep.

  • Upright abstract painting in blue and yellow: a broad cream field lies across the centre, yellow blocks to left and right, dark navy between them, and red script-like marks at the lower right

    Untitled XIII

    90 × 120 cm, 2019

    Yellow and dark blue fields surround a broad cream-white sweep.

  • Abstract painting, mostly pale: a large cream-white field at the centre, pink and red at the upper left, yellow at the upper right, and a dense band of coloured drips in turquoise, magenta, red and yellow running down the lower edge

    Untitled XXXII

    2024

    A light centre is accompanied by coloured accents and a row of paint drips.

Considering the wall and the painting

Measure the wall and consider the space around furniture and neighbouring pictures. A small work can stand on its own; a larger one needs enough clear space for its edges to remain visible.

Where the catalogue has no measurements, please ask before deciding. Marianne can also clarify framing and current availability directly.

Colour and surface in person

Light on a screen differs from light in a room. With layered or textured paint, it can help to view a painting from different distances and in daylight.

You can inquire about a studio visit in Bad Feilnbach-Au near Rosenheim. The gallery contains more original works in both small and large formats.

Explore further

Bad Feilnbach-Au

Contact the studio

Ask Marianne about a specific work, its price and availability, or arrange a visit to the studio near Rosenheim.