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Marianne Igel / From the catalogue

Abstract paintings in red

Sometimes a broad field, sometimes a single sweep: red appears in different shades in Marianne’s abstract painting. This selection ranges from strong red to rust and wine red.

See the works ↓
Square abstract painting: a strong rust-red ground with a broad white sweep across the upper half and a grey rounded form at the lower left
Ready to Be Told · 60 × 60 cm, 2014

Red in six originals

The works come from different years and in different sizes. Some are predominantly red; others place a red accent beside light or dark fields.

  • Square abstract painting: a strong rust-red ground with a broad white sweep across the upper half and a grey rounded form at the lower left

    Ready to Be Told

    60 × 60 cm, 2014

    Rust red carries a broad white sweep and a rounded grey form.

  • Abstract painting in oxide red and orange with a white field and black strokes

    Untitled I

    Mixed media

    Oxide red and orange meet a torn-edged white field.

  • Square abstract painting: a large rust-red field at the right, wine-red and ochre at the left, pale grey and lilac between them, and a single black stroke as an accent at the lower right

    Everything in Flux

    80 × 80 cm, 2013

    Rust and wine red stand beside ochre, grey and lilac.

  • Two-part abstract painting, two upright panels side by side: strong red over black and cream white, with white and red droplets flung across both panels like sparks

    Flying Sparks

    2 × (50 × 100) cm, 2012

    Red and white drops of paint cross two panels.

  • Upright abstract painting: a pink area above, a strong red stroke across the centre, yellow running down in drips at the left, grey at the lower right and olive brown at the lower left

    Untitled XVI

    80 × 120 cm, 2019

    A strong red line crosses pink, yellow and grey.

  • Abstract painting in cream and turquoise with a red sweep, pink and yellow

    Untitled V

    A red sweep joins cream and turquoise areas.

Fields, marks and movement

In ‘Spruch-reif’, rust red carries a broad white sweep. ‘Alles im Fluss’ combines rust and wine red with ochre; ‘Funkenflug’ scatters red and white drops across two panels.

In the undated ‘Untitled V’, a red sweep is one accent between cream, turquoise and yellow. Each catalogue page shows the details on record.

Finding an original

A red painting can look very different when paired with light or dark areas. Alongside colour, known dimensions and a close look at the surface can help guide a choice.

Contact Marianne to arrange a viewing at the Bad Feilnbach-Au studio or to ask about price and availability.

Explore further

Bad Feilnbach-Au

Contact the studio

Ask Marianne about a specific work, its price and availability, or arrange a visit to the studio near Rosenheim.