Marianne Igel / From the catalogue
Abstract paintings in red
Sometimes a broad field, sometimes a single sweep: red appears in different shades in Marianne’s abstract painting. This selection ranges from strong red to rust and wine red.
See the works ↓
Red in six originals
The works come from different years and in different sizes. Some are predominantly red; others place a red accent beside light or dark fields.

Ready to Be Told
60 × 60 cm, 2014
Rust red carries a broad white sweep and a rounded grey form.

Untitled I
Mixed media
Oxide red and orange meet a torn-edged white field.

Everything in Flux
80 × 80 cm, 2013
Rust and wine red stand beside ochre, grey and lilac.

Flying Sparks
2 × (50 × 100) cm, 2012
Red and white drops of paint cross two panels.

Untitled XVI
80 × 120 cm, 2019
A strong red line crosses pink, yellow and grey.

Untitled V
A red sweep joins cream and turquoise areas.
Fields, marks and movement
In ‘Spruch-reif’, rust red carries a broad white sweep. ‘Alles im Fluss’ combines rust and wine red with ochre; ‘Funkenflug’ scatters red and white drops across two panels.
In the undated ‘Untitled V’, a red sweep is one accent between cream, turquoise and yellow. Each catalogue page shows the details on record.
Finding an original
A red painting can look very different when paired with light or dark areas. Alongside colour, known dimensions and a close look at the surface can help guide a choice.
Contact Marianne to arrange a viewing at the Bad Feilnbach-Au studio or to ask about price and availability.
Explore further
Bad Feilnbach-Au
Contact the studio
Ask Marianne about a specific work, its price and availability, or arrange a visit to the studio near Rosenheim.