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Marianne Igel / From the catalogue

Abstract paintings in blue

Deep blue, turquoise and pale blue-grey take different forms in these works. This selection from Marianne’s catalogue shows paintings in which blue has a visible role.

See the works ↓
Abstract painting in blues: deep blue and turquoise above, paler blue and lilac beneath, a cream-white field at the lower left, and fine lines scratched into the paint
Untitled XIX · 2021

Six views of blue

The works come from different years and combine blue with white, yellow, ochre or dark grey. They are a colour selection, not a named series.

  • Abstract painting in blues: deep blue and turquoise above, paler blue and lilac beneath, a cream-white field at the lower left, and fine lines scratched into the paint

    Untitled XIX

    2021

    Deep blue and turquoise pass into pale blue and lilac.

  • Upright abstract painting in turquoise, cobalt blue and copper over white fields

    Untitled IV

    Turquoise and cobalt blue sit beside copper and light fields.

  • Upright abstract painting in blue and yellow: a broad cream field lies across the centre, yellow blocks to left and right, dark navy between them, and red script-like marks at the lower right

    Untitled XIII

    90 × 120 cm, 2019

    Navy and yellow frame a cream-white band.

  • Abstract painting in teal and slate grey: a broad white brushstroke at the left among cream fields, with red script-like scribbles at the lower right

    All in Plumb

    90 × 100 cm, 2014

    Petrol blue and slate grey meet a white sweep.

  • Abstract painting in blue and white: a deep blue mass at the upper right, cream-white blocks beneath it from which an ochre band runs straight down; the ground pale blue and grey with turquoise dabs and texture scratched into the paint, her signature at the lower left, and the green-painted edge of the canvas along the top

    Untitled XXXVIII

    2026

    A deep-blue mass and light blocks are crossed by an ochre band.

  • Small square abstract painting: a deep blue-black field at the upper left, pale grey-white to the right, and a light grey branch-like form curving downward between them, with a small yellow-ochre oval at the lower left

    The Small Format I

    30 × 30 cm, 2015

    A small square with dark blue, light grey and an ochre accent.

From turquoise to navy

‘Untitled XIX’ lets blue and turquoise flow together. In ‘Untitled XIII’, a broad cream-white sweep sits between yellow and deep navy; ‘Alles im Lot’ sets petrol blue beside slate grey.

Depending on the work, the colour forms broad fields or narrow bands. The individual catalogue pages show larger views and known dimensions.

Seeing blue in the original

A screen can only approximate the nuances of colour. To compare a particular blue with the light in your own room, you can arrange to view the work at the studio.

Marianne’s studio is in Bad Feilnbach-Au near Rosenheim. Please ask about the price and availability of the individual work as well.

Explore further

Abstract paintings in red ↗Paintings in earth tones ↗Paintings for living rooms ↗

Bad Feilnbach-Au

Contact the studio

Ask Marianne about a specific work, its price and availability, or arrange a visit to the studio near Rosenheim.

Contact the studio ↗All paintings ↗